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Lee Ritenour

Lee Ritenour

Starting at the age of 16, Lee played his first session with The Mama's and the Papa's. Two years later he was backing Tony Bennett and Lena Horne at L.A.'s Dorothy Chandler Pavilion. Known as "Captain Fingers," Ritenour became a sought-after session player in the mid-70's. Starting in 1976, at the age of 24, he began his own solo career which now includes over 30 albums and collaborations. Although heavily influenced in his early days by the relaxed styles of Wes Montgomery, Joe Pass and Barney Kessel, he now has his own distinctive sound and fluid style. His list of session work is awesome (some 3,000 sessions), but some of his notable performances were with Herbie Hancock, Steely Dan, Dizzy Gillespie, Sonny Rollins and Pink Floyd. Since the mid-80's Ritenour has been strongly influenced by Brazilian music.

Lennart Allkemper

Saxophonist

Leonie Klein

Leonie Klein born in 1993 started playing percussion at the age of six.

Le Yu

Born in China. Graduated with the first International Artist Diploma in Solo Percussion from the Royal Northern College of Music, UK with a full scholarship.

Lieve Goossens

Soloist of the Philharmonic Orchestra of Liege, flute teacher at the Royal Conservatory of Liege, member of I Solisti, Belgian Wind Ensemble Antwerp

Lilit Grigoryan

One of the outstanding artists of her generation, pianist Lilit Grigoryan is characterized by "her abundant power and a clear, assertive musical language" (Maria João Pires).

Lin Chen

Freelancer/ Hamburg Conservatory percussion lecturer

Lisa Nelsen

Lisa’s overriding passion for the stage is evident in concert, classes and adjudications for festivals.

Lisa Nelsen

Lisa Nelsen

Lisa Nelsen is internationally recognised for her versatility as a flute soloist, chamber and orchestral musician, educator and ensemble coach, and mentor in performance practices.

Louis Dowdeswell

With over 15 million views online for his critically acclaimed Big Band, the pioneering trumpet player and producer Louis Dowdeswell is leading a resurgent interest in the genre.

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